World Dance Reviews

 

  • Home
  • About
  • Letters
  • Interviews
  • Reviews
  • Links
  • Search

  • About Us
  • Contact Us
  • Resumes
  • Reviews
  • Review Archives
  • Submit Reviews
  • Letters
  • Submit Letter
  • Interviews
  • Interview Archives
  • Submit Interview
 

The Reviews Archive

Return to previous page.

DANZA ESPANA
2010-02-05

Flamenco Continues Its Colorado Renaissance At CU's Old Main Theater

Pablo Rodarte's Flamenco shows continue this weekend (February 5 and 6, 2010) under a new name, Danza Espana, at the University of Colorado Boulder's Old Main Theater. The show at Old Main exhibits the same energy resident when this group performed as Polka Dot. Rodarte himself exhibits an amazing presence, whether dancing or providing rhythmic palmadas (hand clapping), zapateados (foot stomping), or finger snaps, and he has brought together an amazing ensemble of other dancers and musicians. The guitar accompaniment by Kevin Romero and Steve Mullins includes precise conversations with the dancers, and endearing solos, punctuated by both vocal and rhythmic encouragement from Rodarte and the ensemble. Mullins subdued and often background work on the caja (box) melds well, and vocals by tenor Marco Herzog and alto Natalie Perez de Villar vary from commanding presence to understated raison d'etre.

When it comes to dance, Danza Espana is pretty much about Lisa Trujillo, Lisa Trujillo, and Lisa Trujillo. Her embodiment of the form is lovely, and beautiful to watch. Her use of braceo (arm movements) are graceful beyond description, and her florea (finger movements) speak volumes. Trujillo's skillful and staccato zapateados provide stunning rhythms to both adagio and allegre sections of her dances, the whole dance being an embodiment of her torso, arms, fingers, feet and face. And in a Solea her use of her long batas de colas (dress) compliments all of that in delightful ways.

Other than Trujillo's solos, dances include a Sevillana duet between Rodarte and Trujillo, in which communication between the two was endearing, a Sevillano solo by Susan Melina, and trios, mostly Allegrias, danced by Trujillo, Melina and Tamaro Roybal, in which the braceo and florea performed by Melina and Roybal rivaled those of Trujillo.

Missing from this performance were the stunning embodiments of the form resident in Rebekah West, who has moved on to teaching dance for youth in Australia - truly Australia's gain is Colorado's loss.

Donald K. Atwood

© Copyright World Dance Reviews 2010


Return to previous page.




About -- Contact Us -- Homepage -- Letters -- Submit Letters
Links -- Resumes -- Reviews -- Review Archives -- Search -- Submit Reviews

This site is free and open to any and all interested persons.
If you want to tell us who you are we would love to know that.
You can register with this site by sending an e-mail here
We will gladly provide you with information on site updates,
but, if you do not want to receive any emails just indicate that in your message.


Please send technical questions or comments about this site to the WebMaster....